An important decision of the Paris Court of Appeal was rendered yesterday in a litigation between Google and a French Collective Society for Visual Works (SAIF). The Collective Society claimed that Google was infringing on the copyright of its authors members by reproducing and displaying their works in the form of thumbnails on the pages of Google Image service and also by reproducing their works through Google caching system. Before the Court of First Instance, the Judge considered the applicable law to be the U.S. Copyright Act, and consequently, the court applied the fair use defense in line with the Arriba and Perfect 10 decisions.
The Court of Appeal disagreed and applied French law. Nevertheless, it too rejected plaintiff’s claim and decided that Google benefited from the “safe harbor” provisions of the Loi sur la Confiance dans l’Economie Numérique [the relevant French statute]. It considered Google as being a “neutral” actor and the reproduction of the photos necessary to provide the service. It also refused to consider a sort of contributory infringement liability when Google refers to works available on the Internet without the consent of the rights holder.
Semiotics, Law, and Copyright
H. Brian Holland, Texas Wesleyan School of Law, is publishing Social Semiotics in the Fair Use Analysis in a forthcoming issue of the Harvard Journal of Law and Technology. Here is the abstract.
This article presents an argument for an expansion of fair use, based not on theories of authorship or rights of autonomy but rather on a theory of the audience linked to social practice. The article asks, in essence, whether audiences determine the meaning, purpose, function, or social benefit of an allegedly infringing work, often regardless of what the work’s creator did or intended. If so, does this matter for the purpose of a fair use analysis based on a claim of transformativeness?
A little later than promised, here are some thoughts that occurred to me at the recent seminar on Promoting innovation – Reshaping the Law for the Digital Economy (which I blogged here and here). In the same way that browsers have a constant battle between features and speed, so the modern law of copyright is faced with a similar dilemma between encouraging and rewarding innovation. It is becoming increasingly clear that it has not solved this dilemma in a particularly satisfactory way. More than that, the most popular emerging solution – the introduction of a fair use defence to EU law – may not be sufficient for current needs, let alone for future developments.
At the seminar, Johnny Ryan argued that with the rise of the internet, where everything is in perpetual beta, we are in effect are reverting back to the pre-Gutenberg plasticity of information. In historical terms, this is the norm. It is the post-Gutenberg era of fixed information which is the anomaly. Copyright is a feature of this period: in the 1500s, it developed to protect the publishers; in the second half of the 1600s it came under increasing pressure to protect authors, and this was codified in the Statute of Anne, 1710; thereafter, the statutory protections were slowly expanded to other creators of other original works.…
As I said my first post yesterday, last Friday morning I attended a seminar on Promoting innovation – Reshaping the Law for the Digital Economy, hosted by Google Ireland, co-sponsored by the Institute for International and European Affairs (IIEA), and chaired by TJ McIntyre. In that post, I summarized the presentations by Johnny Ryan (the internet has created a hinge in history when information is plastic and copyright law is a block upon total commerce) and Niall O’Riordan (for Google, a fair use doctrine in Ireland and Europe is an idea whose time has come). In this post, I’ll look at last Friday’s other presentations; and in tomorrow’s post, I’ll add a few comments of my own on some of the issues raised by the seminar.
Kate O’Sullivan (Director of Regulation and Public Policy, UPC Ireland) pointed out that intermediaries (such as Google, Facebook, and ISPs) are caught in the middle between content producers seeking to enforce their rights as against users, and it is not appropriate that ISPs should be judge and jury in such a cause. Section 40(3) of the Copyright and Related Rights Act, 2000 (also here) provides that the mere provision of facilities by an ISP, for example, which enable the making available to the public of copies of a work “shall not of itself constitute an act of making available to the public of copies of the work” and therefore shall not for that reason amount to a copyright infringement.…
Last Friday morning, I attended a seminar on Promoting innovation – Reshaping the Law for the Digital Economy (Irish Times | SiliconRepublic here and here). It was hosted by Google Ireland and co-sponsored the by Institute for International and European Affairs (IIEA); and the morning was very ably chaired by TJ McIntyre (blog | Chair, Digital Rights Ireland | Consultant, Merrion Legal | UCD). There were five presentations; in this post, I’ll deal with the first two; in the next tomorrow’s post, I’ll deal with the remaining three; and in a third post, I’ll add a few comments of my own on some of the issues raised by the seminar.
First up was Johnny Ryan (IIEA | author A History of the Internet and the Digital Future) speaking on “A hinge in history: the conditions of the digital future and the need of rights reform”, and setting the scene for the debates that would follow. (Update: Johnny comments below that video of his presentation is now available). For him, we live in the age of the perpetual beta. Before Gutenberg‘s printing press, hand-transcribed manuscripts made information fluid. By contrast, after Gutenberg, the printed book fixed information in static form.…
At Ignite Dublin #4, held in TCD’s Science Gallery as part of last week’s Trinity Week celebrations, I gave a 20-slides-in-5-minutes presentation on Ten Copyright Myths, in part because the previous weekend saw the 300th anniversary of the first modern copyright statute, the Statute of Anne, 1710 (fascimile | transcript | wikipedia). For the day that’s in it, here’s a YouTube video of my presentation:
For those who don’t have 5 minutes to watch, here are the myths debunked:
A little while ago on this blog, I asked Is Harry Potter making a Parody of Copyright Law? One of the points I made was that J.K. Rowling and her publishers had sought to prevent the publication of The Harry Potter Lexicon. Now, from the Wall Street Journal Law Blog comes news that they have succeeded in this endeavour: …
Disney and the Joyce Estate have competition in the world of ridiculous over-enforcement of copyright. Step forward Harry Potter. There have been many, many legal disputes involving Harry, and his creator, J.K. Rowling. For example, several years ago now, Tim Wu wrote an entertaining piece in Slate called Harry Potter and the International Order of Copyright (with added links):
J.K. Rowling and her publisher [Bloomsbury / Scholastic] have launched an aggressive worldwide legal campaign against the unauthorized Potter takeoffs … [they] can use the courts in [TRIPS]/WTO-compliant countries to club her Potter rivals.
Moreover, Warner Bros (the studio behind the Harry Potter movies) takes stern action against cybersquatters on Potter-like domain names (including an infamous example where they threatened 15-year-old Harry Potter fan, Claire Field, with legal action, though they eventually backed down). More recently, the same plaintiffs have sought to prevent the publication of The Harry Potter Lexicon (see its earlier – and continuing – website incarnation here). While we await judgment, you could do worse than check out Neil Gaiman‘s comments on the case.
Now comes news from Legal Eagle on Skeptic Lawyer that Warners are taking on the might of Bollywood, seeking to restrain the distribution of an Indian movie called Hari Puttar – A Comedy of Terrors.…
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