Adam Wagner on UK Human Rights Blog takes up the perennial question of whether courtroom proceedings should be broadcast. Some extracts from his blogpost:

Should justice be televised?

The head of Sky News has argued in a new Guardian article that justice must be televised as allowing TV cameras in court would help restore public faith in criminal proceedings. …

The usual arguments in support are:

1. Television opens the court to public scrutiny
2. Televised hearings can educate the public about what happens in the justice system
3. Cameras have no negative impact on trials, according to U.S. research
4. The public have a right to see justice done, and the only proper way this can be accomplished is to allow them access to hearings through their TV sets

And the arguments against:

1. Televised justice leads to soundbites and sensationalism, and edited highlights of a case lose the subtlety of legal argument
2. Television fosters disrespect for the court
3. Cameras pervert the trial process as juries become star struck and lawyers grandstand
4. Victims and witnesses are intimidated an can be less safe as a result. …

The Lawtube age
The debate over cameras in court is as old as camera technology itself, but in the age of YouTube, 24-hour news and the iPlayer, it should be reopened.

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On Wikipedia’s Portraits of Shakespeare page, there is a painting called “The Chess Players” attributed to Dutch painter Karel van Mander (1548 – 1606):

Wikipedia says that this was identified in 1916 (New York Times, 12 March 1916) as an image of Ben Jonson (left; white) and William Shakespeare (right; black) playing chess. It seems that this claim that had been floating around in chess circles for a year or so, but most subsequent scholars seem to have considered this to be pure speculation. However, the claim was revived in 2004 by Jeffrey Netto, who argued that the chess game symbolises “the well known professional rivalry between these figures in terms of a battle of wits” (See Jeffrey Netto “Intertextuality and the Chess Motif: Shakespeare, Middleton, Greenaway” in Michele Marrapodi Shakespeare, Italy and Intertextuality (Manchester University Press, 2004) 218). As he puts it elsewhere:

This painting clearly evokes the theme of intellectual virtuosity. The two giants of British Renaissance literature are enmeshed in an intellectual contest that allegorically represents their well-known literary rivalry. Chess here iconographically depicts their battle of artistic wits, a battle before which the world can only marvel.

It looks as though Shakespeare is about to win the game, whatever about the artistic battle of wills.…

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I have recently discovered that one of the classic and elegant nineteenth century chess set designs is called the Dublin Pattern:

Bill Wall says the Dublin pattern was introduced about 1820. The pieces were made of ebony and boxwood with fine carved knights, and it was marketed by Jacques. Although Jacques is still going strong, they don’t seem to have the Dublin pattern in their current chess set listing – unfortunately. The House of Staunton says that original Dublin Pattern sets are extremely rare, with only a handful of complete sets in existence and securely in the hands of private collectors, but it has thoughtfully introduced an exact replica set, for a mere $695. I think I’ll still with my current set.…

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From the Kristin Diane Lui, a graph on the effects of caffeine over the course of a (well, actually, my) day:

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For the day that’s in it:

Finally, given Eileen Battersby’s piece in yesterday’s Irish Times about a house she was warned against buying, and eventually moved out of due to unexplained events, eerie happenings, and things that went bang in the night, see last year’s slightly more serious post: Have you bought a haunted house? Who you gonna call?…

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From Hal’s Progressive Rock Blog, the poster for the San Francisco International Pop Festival-October 26, 1968 (FLAC):

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Via Geeks Are Sexy and 9gag.…

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